The New Census: Dora Malech

Our feature of Rescue Press’ new anthology of contemporary poetry, The New Census, continues this week and next with new poetry by contributors to the anthology. We begin today with Dora Malech. “Progress” will be featured in the fifth season of Motionpoems, premiering at the Walker Art Center in Minneapolis on May 22. You can purchase The New Census here.


Already failed resolution to spend less
time staring at squares, enrectangled up
in pixels, justified prose, polarized glass.
Data entry, no exit. Lint trap’s just that.
Geometry that gestures toward itself
or not at all as in the inward wave
that in one culture simply greets and in
another draws one closer. Figures that
in my eyes it would beckon. Patterns swim
familiar but no one’s there to take
an order and connecting the dots in
the vitreous humor makes a child’s
stakeless game, a “now let’s say” to made-up
playmate (and say that which we say it is
it is until we tire or some other
specter floats aview). Are you saying
you’d rather queue for keeps? Phantom limn
a charged perimeter? Wasting time
no matter but on what (all-important
distinction between phenomenon and
illusion). Mind’s the former, sure, but great
stakes shaking no one’s boughs’ but mine but mine
tracing, racing, generating orders,
families, genera
the likes of which
the earth has yawned and swallowed in its sleep.
How to take a turn to lean a body
through not to the execution? As if
we could adapt the course by tricking
out the question, force feed fattening
infinity on its own tail. Wakes into
passing scenery, a world of ramifications
blinking Darwinian landscaping escaping
into can’t see for the topiary signing
line-on-line perpendicular, means ends.


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